Pyar Kiya To Darna Kya expresses Anarkali’s courage to accept the love she has for Salim.Įnriched with Lata Mangeshkar’s melodious voice and Madhubala’s ethereal enactment, Mughal-e-Azam was strengthened with both its plot and dance progressions.įarhan Akhtar has the magic to use music and dance to add significance to the plot.Ĭoupled with Farah Khan’s choreography, Woh Ladhki Hai Kahan is a memorable dance sequence owing to Farhan Akhtar’s remarkable direction and incredible vision. With Prabhu Deva’s choreography, Main Aisa Kyun Hoon is further enhanced by Hrithik Roshan’s terrific performance.Īnarkali and Prince Salim’s love story has become folklore as time passes by.

Main Aisa Kyun Hoon tries to encapsulate that attitude of not knowing what to do with one’s life and feeling as if you are in a boat that is rowing without a destination in mind. However, her ill-fated bond soon ended and Kahin Aag Lage illustrates her suffering and misery.įarhan Akhtar’s movie Lakhshya follows the journey of Karan from living an aimless life to becoming an army officer. It is said that somewhere amidst all the grief inside a human, there is hidden sorrow.īeing a simple girl belonging to a sheltered life, Mansi began to open up when she fell in love with Manav. The two characters go back to play their societal roles and become each other’s adversaries, the song shows some amount of sisterhood between the two.Īnother dance choreographed by Shiamak Davar, Kahin Aag Lage characterizes the heartbroken state of Mansi. While Kashibai and Mastani struggle to accept each other, Pinga, choreographed by Remo D’Souza, reflects a very mature side of the two characters. The complex relationship between Kashibai and Mastani lasts through the end of the film. With Vyjayanthimala’s impressive performance blended with the lyrics and direction of Vijay Anand, Honthon Mein Aisi Baat ascertains the dilemma that the complex character encounters. Meanwhile, Pooja is unaware of these harsh sentiments harbored in Nisha’s heart and she is seen gracefully enjoying the dance.Ĭhoreographed by Master Sohanlal, Honthon Mein Aisi Baat is one of the many representations of long shots in dance sequences being the brainchild of prominent director Vijay Anand. Nisha’s insecurity and jealousy towards Pooja are asserted through the fierce dance moves she wields to capture the dance floor and divert attention from Pooja.

The Dance of Envy is an excellent example of how dance sequences can be utilized to portray the emotions and mental state of the characters. Dil Toh Pagal Hai marked Shiamak Davar’s debut as a choreographer.

Hrithik roshan lakshya movie